Figures and idols confuse us.
Last Floor Without Elevator
Sector
Public
Location
Switzerland
Year
2016
Collaboration
Myriam Kirschke
Special Thanks To
Michael Siegrist
The first exhibition, which was a project for Gallerie Claudine Hohl (Zurich, 2016) in a juxtaposed collaboration with artist and curator Myriam Kirschke, using the theme of day versus night as a starting point, took the audience through this magical love story.
Press Play
In Ultimo Piso sin Ascensor, photography, video, lighting, and sound combine in a sci-fi world full of delusion and enigma. Elegantly, Vachya blends nature with digital art, creating a Rubik’s garden of psychological discovery.
The audience is brought in to submerge themselves in this garden and connect the dots to attempt to find their own pursuit of enlightenment.
A work of lighting effects is an important piece of this installation. The color blue, one of Vachya’s signatures, dominates, pure and captivating, the aesthetic of the garden, where the audience is guided with points of light through their own journey.
Another element of the exhibition is the Russian language, foreign, familiar, and a guide through the story that can help or confuse the audience.
Original artwork inquiries
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